#Media Markets

Researchers of the St. Pölten UAS document, analyse and evaluate current developments in media markets and the use of new digital technologies.

Projects

CUTE – Coping with Uncertainties in Social Media Entertainment

Introducing economic sociology and big data into the study of social media entertainment.

Institute of Creative\Media/Technologies

E³UDRES² 2.0

Promoting Smart and Sustainable Regions as an Engaged and Entrepreneurial European University.

FairMedia

Fair and Trusted Datasets for Media Computing

CliMeF - Climate Media Frames

Combining methods from different disciplines to investigate communication strategies on climate change.

WTZ Ost 3.0 – Wissenstransferzentrum Ost

Platform that promotes knowledge transfer between universities but also in business, society and politics.

E³UDRES² - Engaged - European - Entrepreneurial University as Driver for European Smart and Sustainable Regions

Innovative cooperation in research, teaching, knowledge transfer and innovation

GovMed – Governance of open data and digital platforms

Exploring ways in which the business activities of internet companies can be regulated.

BAKOM – The Present and Future of National News Agencies in Small European Countries with Special Consideration for the Keystone SDA

Examining how European news agencies work and which aspects will become important for them in future.

DALICC – Data Licenses Clearance Center

DALICC is a software framework that supports the automated clearance of rights thus supporting the legally secure and time-efficient reutilization of third party data sources.

Trading Cultures

An ethnography of international trade fairs for television programs, music and books

Research Group Media Business

Media Markets

Publications

Gebesmair, A. (2023). Lassen sich Content-Messen virtualisieren? MedienWirtschaft. Perspektiven Der Digitalen Transformation, 20. Jahrgang(3), 8–18. https://doi.org/doi.org/10.15358/1613-0669-2023-3

Bibtex

Gebesmair, A. (2022). The Global Music Business, and the Globalization of Culture. In S. Krüger Bridge (Ed.), The Oxford Handbook of Global Popular Music (1st ed.). Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190081379.013.3

Gebesmair, A., & Musik, C. (2022). Interaction Rituals at Content Trade Fairs: A Microfoundation of Cultural Markets. Journal of Contemporary Ethnography. https://doi.org/10.1177/08912416221113370

Gebesmair, A., Ebner-Zarl, A., & Musik, C. (2022). Symbolic representations of cultural industries at content trade fairs: Bourdieu’s „economic world reversed“ revisited. Poetics, 92(Part B), 101614. https://doi.org/10.1016/j.poetic.2021.101614

Gebesmair, A. (2021). Das Ende der Globalisierung? POP. Kultur und Kritik, 19(2), 8–15. https://doi.org/10.14361/pop-2021-100202

Grüblbauer, J., Bezensek, S., & Edlinger, A. (2021). Gegenwart und Zukunft von nationalen Nachrichtenagenturen in europäischen Kleinstaaten unter der besonderen Berücksichtigung der Keystone‐SDA [Im Auftrag der Eidgenössischen Medienkommission (EMEK)]. EMEK. https://www.emek.admin.ch/de/themen/journalismus/

Ebner-Zarl, A. (2020). Trading Books. Internationale Buchmärkte und Buchmessen im Überblick. Nomos.

Bibtex

Gebesmair, A. (2019). Zur gesellschaftlichen Bedeutung von österreichischen YouTube-Channels. In J. Krone & A. Gebesmair (Eds.), Zur Ökonomie gemeinwohlorientierter Medien. Massenkommunikation in Deutschland, Österreich und der Schweiz (pp. 95–110). Nomos. https://doi.org/10.5771/9783845289601-95

Musik, C., Ebner-Zarl, A., & Gebesmair, A. (Eds.). (2018). Eine BürgerInnen-Ethnographie der Frankfurter Buchmesse. Ein Experiment. ikon VerlagsGesmbH. https://phaidra.fhstp.ac.at/open/o:3274

Musik, C. (2017, August). Relationship management in a personal business. Content trade markets as coordinators of transnational intermediary networks in the TV industry. 13th Conference of the European Sociological Association, Athen, Griechenland.

Bibtex

News

09/27/2024